Gustav Klimt
Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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Gustav Klimt tradgard med solrosor oil painting


tradgard med solrosor
omkring 1905-06, wien, osterreichische galerie110x110cm se
Painting ID::  65266
Gustav Klimt
tradgard med solrosor
omkring 1905-06, wien, osterreichische galerie110x110cm se
   
   
     

Gustav Klimt portratt av hermine oil painting


portratt av hermine
gallia, 1904, london, national gallery 170.5x96.5cm se
Painting ID::  65267
Gustav Klimt
portratt av hermine
gallia, 1904, london, national gallery 170.5x96.5cm se
   
   
     

Gustav Klimt portratt av margaret stonboroughwittgenstein oil painting


portratt av margaret stonboroughwittgenstein
1905 miinchen, bayerische staatsgemaldesammlungen, neue pinakothek 180x90cm se
Painting ID::  65268
Gustav Klimt
portratt av margaret stonboroughwittgenstein
1905 miinchen, bayerische staatsgemaldesammlungen, neue pinakothek 180x90cm se
   
   
     

Gustav Klimt portraatt av adele bloch-bauer, oil painting


portraatt av adele bloch-bauer,
1907, wien osterreichische galerie 138x138cm se
Painting ID::  65269
Gustav Klimt
portraatt av adele bloch-bauer,
1907, wien osterreichische galerie 138x138cm se
   
   
     

Gustav Klimt portratt av fritza riedler oil painting


portratt av fritza riedler
1906 wien osterreichische galerie 153x133cm se
Painting ID::  65270
Gustav Klimt
portratt av fritza riedler
1906 wien osterreichische galerie 153x133cm se
   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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